nora monsecour wikipedia
“All the scenes that focused on the body came directly from Nora,” he says. “But I think maybe the issue was that, when the film came out, it wasn’t clear that I was involved. In one scene, Lara takes off her pointe shoes to reveal bloody, bruised feet. Monsecour says she was “very involved” in the casting process. Dhont recently defended the film in The Guardian. As Lara’s body collapses, unable to perform in line with her vision of perfection, her mental health unravels, resulting in a tragic denouement. “For me, the only person that hurt me the most is myself, and not the people who bullied me,” she said. Roma director Alfonso Cuarón even came to watch it with his son, and Dhont and Monsecour were inundated with letters from trans viewers thanking them for making a film that made sense of their experiences. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Interviews with leading film and TV creators about their process and craft. It's a system that's very much in terms of male and female." Nora Monsecour on Instagram: “Chante posti di amore fronto ame ”, Girl has opened doors for Monsecour, including the opportunity to write a book, which she's currently working on. But a lot of transgender people commit suicide. “There was always a fascination with what was between my legs,” says Monsecour. After losing too much weight and bruising her groin by taping, Lara’s doctor postpones her gender confirmation surgery, or bottom surgery. There is a radicalism, and aggression, and extremism in the way we react to each other that I really don’t like.”. One life. “When I saw pictures of Victor, I thought to myself, ‘this is it, he is it.’ And I saw Victor as a human being. “And anyway, cinema is [a] voyeur. Lara, the film’s central character, is played by newcomer Victor Polster, a baby-faced ballet dancer who is not trans. Watching Girl for the first time was "liberating," says Monsecour. “He was really interested in me as a person,” said Monsecour. And though Girl—which was released on Netflix today after being highly awarded at the Cannes Film Festival last year—isn't a biography, "the essence of the story is the same," says Monsecour. If the film was a fictionalised account of her life, rather than a documentary, she would do it. And they haven't solely been dancing. But, she says, "the biggest thing is that I found acceptance for myself.


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